This historically arranged anthology of short fiction by top American and international writers provides a comprehensive
collection of both the "best of the best" classic stories as well as the most effective, relevant, and
engaging modern and contemporary short stories. Through four distinct historical units, the author looks at the
development of the short story as a genre.
The historical introductions and visual spreads that begin each unit help instructors and students place the stories
they read in a broader context. In addition to delineating the history and future of the short story, the anthology
provides a comprehensive collection of classical and traditional stories and demonstrates the liveliness, flexibility,
and dynamic nature of the genre. This dual focus grounds students in the tradition of the short story genre and
gives them an appreciation for its contemporary context. Unlike many introductions to short fiction, this anthology
includes a strong representation of newer works by international and American writers.
A wide range of selections--traditional and innovative--includes works by such diverse authors as Aesop, James
Baldwin, Geoffrey Chaucer, Anton Chekhov, Sandra Cisneros, John Updike, Eudora Welty, and Tobias Wolff.
The thorough general introduction provides guidelines for approaching the short story and its elements, and
includes a sample annotated story by Chinua Achebe ("Dead Man's Path").
The range of American and international writers keeps students engaged and shows how the short story developed
in other countries.
Organized historically, rather than alphabetically, the text consists of four units (Precursors to the Short
Story, The Nineteenth-Century Short Story, The Modern Short Story, and The Contemporary Short Story) that help
students understand the development of the genre.
Visual elements include graphic spreads that open each historical unit with art, photos, and relevant cultural
objects.
Thematic clusters--in the Nineteenth-Century, Modern, and Contemporary units--allow for a deeper exploration
of historical themes through a combination of interrelated short stories and critical essays. The thematic clusters
are "Domestic Fictions" (in the Nineteenth-Century unit), "The Harlem Renaissance" (in the
Modern unit), and "Postcolonial Literature" (in the Contemporary unit).
Part Two--Reading, Writing, Discussing--includes critical essays on stories in the anthology, as well as essays
by and interviews with writers featured in the text.