Dennis Palumbo, MA, MFT, is a licensed psychotherapist in private practice, specializing in creative issues.
He cowrote the screenplay for the award-winning My Favorite Year and other films, numerous TV episodes and pilots,
and the novel City Wars. Palumbo writes the highly popular "The Writer�s Life" column in Written By,
the magazine of the Writer�s Guild of America, and his work helping writers has been profiled in Premiere magazine,
the LA Times, and on CNN.
Sample Chapter
Be warned:
This is not a how-to book. It offers nary a rule, formula,
nor recipe that will allow you to turn out a best-selling novel
or a fabulous, million-dollar screenplay. Just as well. In the
end, most million-dollar screenplays turn out to be three-million-
dollar screenplays, once the inevitable rewriting frenzy
begins and other hands are called in to rescue the formerly
fabulous million-dollar screenplay.
It is not that handy-dandy kind of book and that is just
as well. Never before have so many of the smugly expert
advised so many of the seemingly inexpert on how to write
successfully and on how to become rich and anonymous
(screen and television writers can reap sizeable financial
rewards, but they rarely get anything like famous). The
pages that lie ahead provide far more valuable insights and
practical tools for the working and/ or would-be writer.
Instead of a how-to, what Dennis Palumbo has written is a
how-come book.
A veteran of the writing wars himself, Palumbo brings
fresh insight into the whys and wherefores of the numerous
dilemmas each writer faces, or, at times, refuses to admit. He
encourages the wanna-bes and the already-ares to confront
their concerns, to recognize what lies at the heart of them,
to ultimately turn their demons into constructive, liberating
collaborators.
The dreaded writer's block? Dennis Palumbo's take on
the subject is as novel as it has proved successful for a good
number of those who have had the good sense to seek his
counseling. What he offers is not a one-size-fits-all cure, but
rather an understanding of the sort of writer's speed bump
that can sometimes seem the size of a mountain. By leading
the sufferer to the underlying truth of his or her particular
form of this creative cramp, Palumbo lays the groundwork
for a way not around the problem, but one that goes right
straight through it.
Procrastination? Doubt? Fear of failure? Loneliness? You
name it; Palumbo's been there, done those--in his own
writing career and in his artful advice to others. (Even in the
act of writing this brief curtain-raiser, I have (1) procrastinated
finishing it until the very last second of my deadline,
(2) doubted that I was the best choice for this assignment,
(3) been dreading how awful it would be to fail, not writing
terribly well about this terribly well-written book, and (4)
thought how lonely it was today--as it is every working
day--to sit down in my solitary room without one person
there to say "good morning" to me.)
For years, I was convinced that I could not write alone,
that I needed a partner or to work as a member of a staff,
surrounded by multiple partners. I had no faith in my ability
to produce material on my own. What this wise, accessible
volume makes crystal clear is that no one writes alone, that
our superficial appearance merely represents the outer limits
of the complex, teeming population that resides in each of
us: the brave, the fearful, the confident, the unsure--the
braggart worrier who sits not beside but within anyone with
the temerity to pan for the gold that lies hidden in the blank
page or the monitor.
Early on, Palumbo promotes the concept of the Buddy
System, the idea that every writer needs someone who has
gone through what you're going through; someone who is
happy to serve as an ear, a shoulder, a kindred spirit. Someone
who gets it: the work you're doing, the town or medium
in which or for whom you're doing it, someone who has
been to the same meetings, been given the same notes by
executives, stars, directors, editors, whoever (probably word
for word the very same notes you were given by someone
else about a totally different piece of work). Most importantly,
you need to get someone who gets you. Dennis
Palumbo's Writing from the Inside Out, with Dennis serving
as a thoroughly knowledgeable, compassionate companion,
makes him not only a useful friend but one who is user-friendly
as well. He is the buddy every writer dreams about--
that is, if writer's block isn't keeping you up all night.
Larry Gelbart
Review
"Dennis Palumbo has great insight into a writer s psyche.... Every writer should have a shrink or this
book. The book is cheaper."
--Gary Shandling, actor, comic, and writer
"wise, compassionate, and funny..."
--Aram Saroyan, poet and novelist
"Dennis Palumbo provides a sense of community in the isolation of writing, of knowing that we are not alone
on this uncharted and privileged journey. He shows us that our shared struggles, fears, and triumphs are the very
soul of the art and craft of writing."
--Bruce Joel Rubin, screenwriter, GhostandDeepImpact
John Wiley & Sons, Inc. Web Site, February, 2004
Summary
Writer s block. Procrastination. Loneliness. Doubt. Fear of failure. Fear of rejection. Just plain...fear. What
does it mean if you struggle with these feelings on a daily basis?It means you re a writer.Written with a unique
empathy and deep insight by someone who is both a fellow writer and a noted psychotherapist, Writing from the Inside
Out sheds light on the inner life of the writer and shows you positive new ways of thinking about your art and
yourself. Palumbo touches on subjects ranging from writer s envy to rejection, from the loneliness of solitude
to the joy of craft. Most of all, he leads you to the most empowering revelation of all that you are enough. Everything
you need to navigate the often tumultuous terrain of the writer s path and create your best work is right there
inside you.
Table of Contents
THE WRITING LIFE.
Writer's Block.
Your "Baby".
Inspiration.
The Buddy System.
It's Alive!
Your "Precious Darlings".
Writing Begets Writing.
YOU ARE ENOUGH.
Simple, but Not Easy.
What Really Happened...
"For I Have Done Good Work".
On the Couch.
"You're No John Updike!"
GRIST FOR THE MILL.
Envy.
Faith and Doubt.
Fear.
The Judge.
Double-Barreled Blues.
Myths, Fairy Tales, and Woody Allen.
The Long View.
THE REAL WORLD.
The Pitch.
Rejection.
That Sinking Feeling.
Reinventing Yourself.
Deadline Dread.
Three Hard Truths.
PAGE FRIGHT.
Gumption Traps.
Procrastination.
Patience.
Perspective.
In Praise of Goofing Off.
Writing about Dogs.
Going the Distance.
THE REAL WORLD, PART II.
Agents.
Home of the Heart.
The Unknown.
Lately, I Don't Like the Things I Love.
Ageism.
HANGING ON.
Commitment.
News Flash: Writing Is Hard!
Burnout: A Modest Proposal.
A Writer's Library.
A Stillness That Characterizes Prayer.
DISPATCHES FROM THE FRONT.
Phone Call from Paradise.
The Idea Man.
I've Come a Long Way on Paper.
Loneliness.
Larry: A True Story.